Friday, February 10, 2012

'The Painted Veil' - William Somerset Maugham 1925

'The Painted Veil' is both a critical social commentary and deeply personal tale of self realisation. Somerset Maugham's novel was deeply controversial at the time of publication, at the last minute the setting was altered from 'Hong Kong' to a fictional colony of 'Tching-Yen' to avoid accusations of slander.

The plot centres around beautiful Englishwoman Kitty and her marriage to a bacteriologist in Colonial Hong Kong, Walter Fane. Underpinning the entire plot is Kitty's manipulative, social-climbing mother, who is essential despite occupying relatively little of the novel. Kitty marries Walter, who she does not love, but who is in love with her, in order to escape England, her mother's meddling, and to avoid the shame of attending her younger sister's more 'prestigious' wedding.

To escape her unsatisfying marriage Kitty begins an affair with the suave Charles Townsend who she falls deeply in love with. When the affair is discovered she finds he does not feel the same, though her own denial and his manipulation make this realisation a long time in coming.

My favourite element of 'The Painted Veil' was the wonderful female characters, particularly the shallow, selfish protagonist Kitty. I was first introduced to W. Somerset Maugham's complex women in 'Cakes and Ale' and although Kitty shares few characteristics with the vivacious Rosie I came to like her just as much. Throughout the novel Kitty was developed significantly and she experienced a 'spiritual awakening' (to quote the blurb) of-sorts without the novel feeling forced or clichéd. 

On the whole I found this novel very rewarding, despite some of the social conventions and technicalities around divorce being quite confusing.

In the introduction Somerset Maugham mentions that the idea for the novel came from some lines of poetry by Dante, and the interpretation of them told to him by an Italian woman while he was on vacation as a young man: "...she told me that Pia was a gentlewoman of Siena whose husband, suspecting her of adultery and afraid on account of her family to put her to death, took her down to his castle in the Maremma the noxious vapour of which he was confident would do the trick; but she took so long to die that he grew impatient and had her thrown out of a window". While the specifics of 'The Painted Veil' are different, the themes are clearly present. In this way the novel is driven by the story, the unfolding dynamic between husband and wife, rather than by particular characters. This makes for a fascinating and, as I already mentioned, very rewarding read.

Love it, Read it,
LR

Sunday, February 5, 2012

'The House of Silk: The New Sherlock Holmes Novel' - Anthony Horowitz 2011.

The House of Silk is a novel with three parts; a fast-paced beginning, which gives way to a section of inaction, followed by an ending which feels almost 'tacked on'.  

I have not read anything by Anthony Horowitz before, but he has accurately replicated Doyle's writing style and Watson's voice remains consistent throughout. This initially drew me in and held my attention, but as the novel progressed the weakness of the plot could not be sustained on that alone.

There are really two mysteries in this novel, and the attempt to write two novellas in one is where the main weaknesses lie. The first mystery is that of the Flat Capped Gang, brought to the attention of Holmes by  Edmund Carstairs, a partner in an art gallery who believes he is being stalked. The art dealer had recently become caught up in gang activity in Boston, after some paintings he had sold were destroyed in a train robbery carried out by the twin brothers who lead the 'Flat Capped Gang'. Carstairs believes he is being stalked by the surviving leader because of his role in the other brother's killing by police during a raid.

The second mystery gives the book its title 'The House of Silk'. This mystery is introduced when someone  involved in the 'Flat Capped Gang' investigation is murdered and found with a single piece of silk tied around their wrist. Investigations into the House of Silk are thwarted at every turn. Holmes takes a great many risks throughout the investigation, and uncharacteristically makes a number of grave miscalculations.

There was something missing from this novel that I can't quite put my finger on. Perhaps it was just different in 'theme' to the other Holmes stories I have read, which made this particular story feel it was not as wonderful as it could have been. In the end I'm not sure that Sir Arthur Conan Doyle would have approved of the plot. That might sound a little mysterious, but I don't want to give away too much. If you have not read any of the Sherlock Holmes novels I would recommend you start elsewhere, but fans of Holmes will find something here to enjoy.

Love it, Read it,
LR

Saturday, January 28, 2012

'A Game of Thrones - Book One - A Song of Ice and Fire' - George R.R. Martin 1996.

I have jumped on the 'Game of Thrones' bandwagon very late for someone who considers herself an avid fantasy reader (Especially considering it has been around since 1996!). Somehow 'A Song of Ice and Fire' slipped under my radar the past few years, and when I finally got around to reading the first book in the series over the Christmas break I couldn't stop berating myself for not picking it up sooner.

George R. R. Martin has a seriously impressive talent for weaving a web of political intrigue, and the writing skill to pull off an incredibly complex series of relationships without overwhelming readers. Martin's setting for the series is very ambitious, more so than many standard works of fantasy fiction, but because of this a sense of place becomes integral to the development of many characters, relationships and conflicts.

This is probably my shortest review to date, but I really was a bit overwhelmed by this book. I would recommend it for just about anyone, even people who are not normally interested in fantasy. 'A Game of Thrones' does not have a strong emphasis on many of the 'traditional' fantasy staples such as magic, which makes it a bit more accessible.

'When you play a Game of Thrones, you win or you die' is the catchphrase of the story and it is applied in a satisfyingly ruthless fashion.

Love it, Read it,
LR

Thursday, January 19, 2012

'The Handmaid's Tale' - Margaret Atwood 1985.

'The Handmaid's Tale' was a bit of a disappointment for me. I came across the title in a list of the best dystopian novels and I thought the premise was brilliant; a world where most women are infertile, and the fertile ones have been reduced to a single function 'breeding'. I must have skimmed over the next part of the blurb which reads "but even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs" which should have tipped me off to the major issues I would have with this book. Having read another of Atwood's novels, 'Alias Grace', many years ago I should have also had some clues about what to expect from her writing style, however in all cases I was oblivious.

The premise is certainly not a unique one, the first similar example that springs to mind is Children of Men, but 'The Handmaid's Tale' focuses on an anti-female backlash against the feminist movement during the 1980's rather than simply rising infertility.

The chapters jump around in quite a strange manner which is not explained until the post-script, but the main flow of the story is that in the early 80's a group (of men presumably) took over the United States of America, and took away the rights of women. This began with taking away their jobs and bank accounts, and then extended to segregation of fertile and infertile women, and a complete restructuring of society to suit a very strange vision of the reproductive future of America. The protagonist is called 'Offred' which can be read as 'of Fred' meaning 'Fred's Handmaid'. As the handmaid allocated to Fred by the government Offred must wear a very bizarre red outfit, live in his house (with his 'blue' infertile wife) and hopefully bear his child after which she will be transferred to a different man.

While there are a lot of feminist ideas and issues raised throughout the novel, overall it is oddly anti-women. The only strong female characters, particularly the main champions of feminist ideals pre-takeover, are cowed and broken. The indecisive, frustrating protagonist eventually surrenders her fate to the various men who dominate her life 'legally', 'covertly' and 'emotionally'.

Despite the disappointment that this was not the book I thought it would be, I did enjoy reading it. Atwood's style in this case is abrupt, taking odd turns and branching off on tangents, and often is without a clear sense of timeline. The post-script, which explains the odd style, really made this book for me. It added so many additional dimensions and made me re-think so much of what I had read.

I have had a few people mention to me that they read it in high school, so I would love to know what you take on it is. Did you enjoy it? Was it ruined by high school English? What were the inevitable 'lessons' to be learnt from it?

Love it, Read it,
LR

Sunday, January 8, 2012

'Women of Letters- Reviving the Lost Art of Correspondence' - Curated by Marieke Hardy & Michaela McGuire 2011.

This book is all about reviving the art of writing letters, the art of sharing stories in more than 140 characters, perhaps even the art of living and appreciating life enough to fill this space. This is also a book filled with the lives of amazing Australian women, so this post is for my aunt Rachel, who is the bravest woman I know.

'Women of Letters' began as a creative fundraising event for Edgar's Mission animal rescue centre and has grown into a monthly event, with an online community, and of course, the book which I just read. Hardy and McGuire invite talented musicians, actresses, politicians, writers and comedians to write a letter to topics as varied as 'the moment it all fell apart' or 'the best present I ever received'  and in the process revive the lost art of correspondence. At the monthly events, these writers then read their letters aloud to an audience, which lends a very intimate quality to the letters in this book, as each has a very distinct 'voice'.

This is a difficult book to comment on, as there are so many styles, and vastly different approaches to writing letters. But this is it's strength. It is a brilliant book to read a little at a time, I picked it up and read a couple of letters here and there, rather than from start to finish. Some of the letters were very candid, other were hilarious, and out of all the letters there were only two that I didn't like (and one of those was written by Paul Kelly).

I must admit that there are two things about this book which I would usually dislike. First is the 'celebrity factor'. Ever since I read a social science text with an infuriatingly pretentious introduction by Bono I have shied away from any kind of 'non literary' celebrity association. However, in this case I am willing to overlook this, because seeing Megan Washington's name was actually what made me pick up the book, and give it a proper look, rather than just a cursory glance. In addition, the actual idea behind the fundraising is based around famous Australia women, as so it isn't some tacked on celebrity endorsement.

Secondly, as any frequent reader of this blog will probably have noticed, I'm not really a reader of 'current' books. Those books that dominate newspaper columns and 'recommended this Summer' lists before falling into obscurity as mediocre. I had seen this book mentioned in a few Sunday newspaper reviews and there was a huge in store display, but I'm glad I swallowed my prejudices and gave it a try. 'Women of Letters' is something truly unique and well worth a read, it might even prompt you to see your own life in a different light.

Love it, Read it,
LR

Tuesday, January 3, 2012

'The Day of the Triffids'- John Wyndham 1951

This book was a purchase from a quaint little second-hand bookshop in Yungaburra, whilst on holiday in North Queensland. I thought this novel would be similar to 'War of the Worlds' which I read earlier this year, but surprisingly it had few similarities to H. G. Well's famous alien invasion novel.

Oddly enough 'The Day of the Triffids' had some interesting parallels to 'Windup Girl', in that it deals with the fears of the time. Wyndham writes to the biggest fears of the 50s, the threats of satellite weaponry and the Soviet Union, while 'Windup Girl' dealt with peak oil, genetic modification and threat of global corporations.
Perhaps this explains why I found Windup Girl so frightening, and Day of the Triffids so 'quaint', as by tapping into the fears of the times dystopian novels may lose the menace as they age. I'm not certain of this, but I am certain that dystopias are written with the fears and issues of the time in mind, whether consciously or unconsciously.

The plot of this novel is really a 'love despite all odds' taking place in England after a 'meteor shower' blinds most people, except those who were accidently unable to look outside at that time. The protagonist was in hospital with bandages across his eyes and awakes to a silent world. In addition to the chaos one can expect in a world where most people are suddenly blinded, the strange, aggressive, plants called 'Triffids' which had been appearing over the last few years begin to take advantage of the population's blindness.

'The Day of the Triffids' is not a book with an overly happy ending, but I really enjoyed reading it. It was a great tale, with all the markers of a solid novel. I don't often read books more than once, but I think I may read about the Triffids again in the future.

Love it, Read it,
LR

Monday, December 26, 2011

'Revolutionary Road' - Richard Yates 1961.

Richard Yates must have had some truly destructive relationships in his life. No one could write with such melancholy about the disintegration of relationships without having experienced this kind of destruction. While doing some research into Richard Yates I found this statement he made about his life's work, and I think it explains a lot about the tone of both the novels I have read by Yates ('Cold Spring Harbor' and 'Revolutionary Road'): "If my work has a theme, I suspect it is a simple one: that most human beings are inescapably alone, and therein lies their tragedy."     

'RevolutionaryRoad' has so many similarities to 'Cold Spring Harbor' that I even considered writing about them together. So if you would like to read about the sadness, frustration and desperation which permeates Yates' writing you can read about it here, as it applies fully to 'Revolutionary Road' but I would like to avoid repeating myself.

'Revolutionary Road' is the far more famous novel, owing almost entirely to the success of the film adaptation starring Leonardo DiCaprio and Kate Winslet (which I have not yet seen). But it is also a far more enjoyable book to read. It has drama and intrigue, and a lot of plot progression and character development, all things which 'Cold Spring Harbor' was lacking. Oddly the cast of characters is not as strong, but there are a few unexpected delights, such as the real estate agent's husband who tolerates his wife's inane chatter by turning off his hearing aid at night.

The main story is about Frank and April Wheeler a married couple with two young boys. Frank commutes to a dull desk job which he considers a joke, and imagines he undertakes ironically. April is a housewife, but dreamt of being an actress before her marriage. The the novel opens with scenes of an embarrassing terrible local amateur theater production she is starring in. This is significant as the argument the couple has afterwards starts a chain of decisions which leads to; a decision to move to Paris, infidelities by both parties, an attempted abortion, and a death. The setting is a vivid portrait of 1950s suburban America, and the relationship between April and Frank feels real, with very natural dialogue between the two. The thread throughout is a lesson to be learnt; being be honest with yourself is just as important as being honest with others. I did enjoy reading this book, despite the very depressing overtones. If you are interested in 1950s suburbia, or want to read a novel with excellent dialogue, or even just a novel which deals frankly with the realities of lives filled with disappointment, then this might just be for you.

Love it, Read it,
LR